on preview cassette #98561 A This segment pertains to the changes local legislation had to undergo after the Supreme Court ruling of the Roe v. Wade case. The Court ruled that a woman has the constitutional right to an abortion during the first six months of pregnacy and the state can only restrict abortions during the final three months of pregnancy. In this segment, a reporter interviews a pro-life man who is trying to get the Ohio legislature to pass abortion restrictive laws that comply with the Supreme Court ruling. Reporter interviews man in an outdoor location. This is what the man has to say, "The Court and it's decision indicated that the state has a right when you get into the last trimester, to promulgate regulations and to enact statutes. And we're very concerned about this and we have attempted, as much as humanly possible, to protect the life of any child in the last trimester of pregnancy, or really in reality up after the twentieth week of pregnancy". Shot of reporter as he asks the question "Other than insuring that abortions be performed by a licensed physician, would this bill in any way interfere with the first trimester of pregnancy". The man responds "I think that the Court's interpretation is that we have no right unfortunately, in that area, and we must abide obviously by the Supreme Court's decision. Other than requiring a physician to perform it, there is nothing in the bill at all with respect to first trimester abortions".
Wounded Arrive In Hanoi Tents are in foreground. One plane is being loaded while another taxis past on runway. Injured people (soldiers) are moved on strechers. They are survivors from Dien Bien Phu. A woman is looking around. She is a nurse who refused to leave the wounded soldiers behind - probably Genevieve de Galard. In Paris, she descends from plane at an airport and is hugged by her mother. Shot of crowd. Both women stand in front of microphones with a crowd behind her.
Porter introduces his surprise guest, the "great, great entertainer, the Kentucky Ambassador of Goodwill," comedian Pete Stamper. Stamper apologizes that his flowery Peter Max-style tie doesn't match his suit, and makes one of his standard self-deprecating jokes about his clothing. Stamper does a little routine about his car being recalled, pretending to read from a letter from the recallers. Backed by The Wagonmasters, Stamper sings his automotive-themed novelty number "A ChevyKaiserOldsmoLakerStudeBarLincoBaker" (sic). It's kind of a cross between "One Eyed One Horned Flying Purple People Eater" and Johnny Cash's yarn about a patched-together car, "One Piece At A Time."
Porter introduces gap-toothed comedian Speck Rhodes, who enters wearing his trademark checkered suit with bow tie and bowler hat. Rhodes and Wagoner make a quick joke about Speck's girlfriend Sadie, then Speck sings a song he introduces as "Please help me I'm crawlin', or fallin', or somethin'," a corny novelty version of "Please Help I'm Falling." Afterwards George McCormick strolls in and plugs the show's souvenir booklet #4, "The Porter Wagoner Show Hits The Road!", containing songs and stories and pictures. It can be yours for only fifty cents by mail.
Naval Experimental Pogo Plane. Navy tests an experimental plane in a hanger. The plane is sitting vertically balancing on four struts. There is a propeller at the plane's nose. Closer shot of cockpit with pilot inside. Plane takes off staight up slowly. Shot of cockpit during test. Plane lowers itself back to the ground.
George introduces Porter who performs the allegedly true story of "Skid Row Joe," backed by The Wagonmasters. Wagoner recites the number standing in front of the cloud-covered backdrop. The stagehands seem to be having a lot of trouble with the lighting, as it keeps changing inappropriately throughout the number. The cameraman seems a bit lost, too, and a microphone boom shadow is visible for a moment near the beginning of the number.
Royal Canadian Air Force Flies Across the Atlantic Four jets fly overhead. Two shots of jets performing aerial actions. Men stand next to rescue vehicles watching jets. Jets come in and land. Jet taxis down runway. Pilot exits his aircraft and salutes an officer standing next to his jet. They shake hands. Shot of jets parked on the airfield.
Porter reintroduces Jimmy C. Newman, who plays guitar and sings his new song "Bring Your Heart Home" backed by The Wagonmasters. MS Buck and Mack.
Sea Otters In Captivity Shot of man, woman and crowd watching ship pull into port. Press taking pictures of man holding an animal. Man holding an otter. Otter walking on deck and hands reach down to hold the otter. CU of otter. Bugs or something is poured onto a tray. man offers food to otters laying on hay. An otter eats it from his hand. Otter walks into holding pen.
Porter asks Newman to play a little bit of "Big Mamou" to fill time until he has to wrap up the show. Newman obliges and makes it through most of the song, then Porter wraps it up. As the Wagonmasters play instrumental show outro and announcer signs off, Wagoner shakes hands with Norma Jean, Pete and Jimmy, then waves goodbye as Magaha dances and fiddles us off the air. End title super reads: "A Show Biz Production."
Annapolis. A cadet and a woman in dress and hat carry the american flag over to another cadet. Cadets stand at attention in background. Shot of american flag and annapolis flag flapping in the breeze. Uniformed cadet and woman in dress kiss. Middies lift hats while giving three cheers. CU of woman. Shots of cadets marching in formation. This is june week at annapolis
Epsom Derby: American Colt Wins British Classic. Queen Elizabeth and family exit car and walk towards track. Shot of crowded stands. Shot of jockey on Horse #8. Horses line up at starting point. Royal family uses binoculars to observe race. Horses take off and race starts. Shots of the race. Shot of royal box. Horses race down straightaway to the finish. Crowd watches as horse is paraded around in an enclosed circle.
Promo for Porter Wagoner Show #102 with special guest Ernie Ashworth. Spot opens with Newman singing a few seconds of "Talk Back Trembling Lips." The camera pulls out to reveal Porter, who says "That's Ernie Ashworth, he's our special guest this week on the Porter Wagoner Show. Norma Jean, Speck, and the whole gang will be here-- join us, won't you?"
Introduction to Porter Wagoner show #102. Program opens with Wagoner and Wagonmasters Speck Rhodes, Don Warden, and George McCormick as well as Norma Jean onscreen singing "Howdy Neighbor Howdy." Over title card decorated with drawing of Wagoner, announcer Hairl Hensley introduces Wagoner and The Wagonmasters, show regulars Speck Rhodes and Norma Jean, and "your favorite songs and stars of the Grand Ole Opry!" Wearing garish rhinestone-studded, western-themed Nudie suit, Wagoner welcomes audience, then accompanied by The Wagonmasters, plays guitar and sings "Uncle Pen" from his 1962 album "A Slice Of Life." CU Mack's fiddle solo.
Porter introduces Ernie Ashworth, who enters wearing a rhinestone-studded suit of his own, complete with the name of his biggest hit, "Talk Back Trembling Lips," set in rhinestones on the left sleeve. Backed by The Wagonmasters, Ashworth plays guitar and sings "Heartbreak Avenue." MS Don on steel guitar.
Stalwart Wagonmaster George McCormick leads the boys in singing a quick rendition of "Camptown Races," featuring Buck Trent's blustery banjo.
Geneva Impasse: Big 5 Confer on Strategy in Asia. Two Asian delegates exit car and enter building. The two delegates walk towards and past camera. Two men in suits exit building. Group of men walk towards car. Group of white delegates exit building. Asian delegates do the same. Shot of shelves containing various nationalities's hats. Shot of conference room filled with military men. Some of the placecards are Secretary, France, Australia and United States. Various shots of military men holding discussions with counterparts.
Interview with Lee Corso, head coach of the Indiana Hoosiers. Corso looks like a total cheese ball dressed in a bright red sports coat and blue & white plaid plants. Lee sits in a chair facing the reporter and the camera. Reporter asks Lee about this career as head coach at the University of Louisville. Corso credits the team's success to the Cleveland athlete. Camera zooms in on Corso's face, his mouth houses big gameshow host teeth. Reporter and Corso go on to talk about Lee's new career in Indiana. Up to this point, the Hoosiers have not been regarded as one of the best teams. Corso claims that he can change that in the course of one year.
Fastest Man on Earth. Rocket sled blasts past on tracks in desert. Technician adjusts something on guy dressed in black strapped to seat. Shot of guy in black. Technicians adjust sled's rocket nozzles. CU of track. Shot of sled's back end from inside track area. Technicians adjust something around man in black. Shot of tracks. Rocket sled blasts past on tracks. Shot of man's hair being pushed up and him back into his seat during acceleration. Rockets cut out and sled slows down,
Film Makers Communion Breakfast Church. Int. Altar boys, priest during mass. People leaving church after service. Pan tables of those gathered for breakfast. Priests. Industry. Robert Goulet talking to man next to him. People in banquet surroundings.
Remembrance Ceremony. Shots of military forces standing in formation during ceremony. Shot of four soldiers with two holding flags: american and another one. Shot of aisle: the left side is military men at attention with some holding flags; the right side is a crowd of civilians. Shot of crowd. Two shots of somber faced children. Men place wreaths by a barrier. Shot of military men saluting. Men in suits and military men look at wreaths. Uniformed soldiers walk through military cemetery looking at graves.
A session of the Ohio State Senate is in progress. The topic of discussion is anti-discrimination. General views of session-people seated at tables, people standing and speaking into microphones. Profile of woman at the microphone. Shot of a row of teenage girls witnessing the session, they are probably on a field trip. They look uninterested. Profile of woman at the microphone, she talks about equal rights for all. General view of session as roll call is heard over the audio.
"Now we are pursuing Miss Norma Jean," Porter says by way of introduction. Norma introduces her new single "Pursuing Happiness," and Porter asks her: "What does 'pursuing' mean?" Norma: "It means 'looking for it'," and with an arch grin, Porter replies: "Oh, does it?" Probably the less editorial comment made about this exchange, the better. Norma Jean plays guitar and sings the song, which would later appear on her 1967 LP "Jackson Ain't A Very Big Town," backed by The Wagonmasters.
Wagoner returns and introduces an old song that he says is one of his favorites. Backed by The Wagonmasters, Wagoner plays guitar and sings "An Old Log Cabin For Sale."