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Ice Capades
Ice Capades Girls ice skating with full length evening gowns and large hearts constructed of wire and silver/gold garland. A single female figure skater. The figure skaters are standing on large rubber balls and their doing a chorus line type of dance.
Buccaneer Days
Buccaneer Days Jacksonville, Florida Buccaneer Days - Boats parade, bathing beauties, movier theater and pirates invading a town
The Dolly Show No. 114
Opening of The Dolly Show #114 with special guest Chuck Woolery. To the strains of Dolly's record "Love Is Like A Butterfly" we fade up on a plastic prop butterfly lit with pulsating pastel blue and violet lights. Camera pulls out to reveal the butterfly as part of a giant sparkly sign that reads simply "Dolly." As the sign rises into the rafters, the lights come up on the set and Dolly Parton is lowered from the ceiling on a swing as a voice-over announces her. To canned applause, Dolly steps off the red velvet swing in a flowing yellow dress and sings Elvis' hit "Burning Love." Dolly is accompanied by four background dancers clad in cheesy sparkly disco garb, i.e. waist-length multicolored glitter fringe flowing over polyester slacks. Dolly introduces her guest, "Wheel of Fortune" host Chuck Woolery. Chuck lip-syncs poorly to Kaye Starr's 1951 hit "The Wheel of Fortune," and Dolly tells Chuck he's not Starr. Woolery says he can't work without his wheel, but Dolly says all he has to do is sing. How lucky for all of us.
The Dolly Show No. 114
Chuck Woolery says he knows it's silly to be nervous performing without his wheel, so some stagehands bring him a tire allegedly taken off a car in the parking lot. Which turns out to be Wollery's! Oh the merriment. Dolly brings it down a notch, singing Otis Redding's "Sittin' On The Dock Of The Bay" on a minimal but stylized dock set.
The Dolly Show No. 114
Dolly promises Chuck Woolery that she'll bring him a better wheel, then Woolery sings "Growing Up The Country Way." With talent like this, he makes a great game show host.
The Dolly Show No. 114
Dolly tells Woolery that she's found a wheel for him, and hands Chuck a kaleidoscope. Woolery turns the 'scope's barrel and witnesses a cheesy location production number version of "Hello Dolly." Dolly Parton is dressed as a snooty mansion-dwelling old crone's chambermaid and directs her number to the other broom-toting "servants" dancing around her.
The Dolly Show No. 114
Meanwhile back in the studio, Chuck Woolery is still searching for his wheel of fortune, so Dolly brings him a wheelbarrow. Dolly says "that's the best I can do, this is Nashville, not Las Vegas," but those lines are clearly blurring. Dolly prays to "the great prop man in the sky" and a wheel of fortune magically appears. Finally comforted, Woolery sings "Little Green Apples."
The Dolly Show No. 114
Dolly and Chuck Woolery duet on "Help Me Make It Through The Night," and probably the less said about it, the better.
The Dolly Show No. 114
Dolly and Chuck duet on "Thank God I'm A Country Girl/Boy," while the dancers do a little square dance behind them. Afterwards Chuck exits with his wheel, then Dolly wraps the program by singing the standard closer "I Will Always Love You" as end credits roll.
Navy Tests Tail Hook
Navy Tests Tail Hook. CU of tail hook. Shot of jet's rear with the tail hook out. CU of able around pylon. Two suited men stand between two naval officers. Shot of tail hook retracting. Three men monitor equipment in an air tower. Shot of runway with cable stretched across it. CU of a machine with blinking lights and buttons; he hand reaches in and pushes a button. CU of mechanical arm raising a metal bar. The able lays across this bar so it is raised too. Wider shot of entire cable being raised. Shot of raised cable. Navy jet comes in for a landing with its tail hook extended. The hook catches on the raised cable. CAmera zooms in on hook attached to the taut cable. The taut cable stops the jet and the hook drops the cable as the jet's momentum decreases.
Boy Greets Relative Joyfully
Boy Greets Relative Joyfully. Young boy walks toward two older people sitting on chairs; he drops the bundle he is carrying and hugs the woman. Closer shot of their embrace. He sits on the woman's lap with his arms around her neck. The Press take pictures of the event. Close shot of boy's face and the camera moves to the older woman's face. Boy leans back into older woman.
The Dolly Show No. 115
Opening of The Dolly Show #115 with special guest Pure Prairie League. To the strains of Dolly's record "Love Is Like A Butterfly" we fade up on plastic prop butterfly lit with pulsating pastel blue and violet lights. Camera pulls out to reveal butterfly as part of giant sparkly sign reading simply "Dolly." The sign rises into the rafters as lights come up on the set and Dolly Parton is lowered from the ceiling on a swing as voice-over announces her. To canned applause, Dolly steps off the red velvet swing in a flowing white dress and sings "Slippin' Away." Dolly introduces the Pure Prairie League, but is interrupted by a fellow made up look like the grizzled cowboy featured on their album covers. The cowboy brandishes a pistol and demands to see the band, but they've disappeared. As Dolly reprises "Slippin' Away," the Pure Prairie League is seen slippin' away through the set behind her.
The Dolly Show No. 115
The cowboy creeps across the set towards Dolly, still looking for the band. He runs off the side of the stage, and the Pure Prairie League performs (via lip-sync) their 1972 hit "Two Lane Highway." Pulsating fields of solid color are cheesily chroma-keyed in behind the band.
Columbus Tornado Damage
Various shots of a midwestern town devastated by a tornado. Segment begins with the local drive-in movie theater. View of the movie screen, all that remains is the frame and four white panels. View of the drive-in sign, some of the letters are missing. The feature once had "Living Dead" in the title. View of a lone station wagon abandoned in the theater lot. It is still parked next to the speaker stand. The back windows of the car are shattered. Debris is scattered on the ground. View of unidentified debris. General view of a residential neighborhood struck by the twister. Residents are seen milling about, looking at damage. CU of woman rummaging through kitchen cabinets. The cabinets remain, but the kitchen does not. The walls have been ripped right off. Panning shot of fallen trees and destroyed homes. View of utility worker high on poles trying to repair service.
The Dolly Show No. 115
In a location segment, Dolly sings "Down From Dover" in a rural setting, alongside a creek at nighttime.
Vitamin E Caffie
View of a young African-American man inside a small greenhouse. He waters a plant. CU of several pots with illegible labels. View of young man looking at a pot that he holds in his hands. CU of his finger pointing to a small plant starting to grow. View of a female African-American reporter interviewing the man. He explains that a bean seed could absorb Vitamin E through its cotyledons and have it remain within its system (plant nerd). He compares this to the human body. Reporter asks how long it will take before there is an adult sized plant. Man states 15 days for the plant, but 40 to 60 days for a bean. CU of a bean plant, focusing on the pod. View of man looking at plants.
The Dolly Show No. 115
Dolly Parton is joined by Debbi Jo and Rich Dennison from the band Gypsy Fever, and three sing "Afternoon Delight" together.
The Dolly Show No. 115
The cowboy returns, still looking for the Pure Prairie League. Once he's sent off in the wrong direction, the band performs "Dance." Shot of audience applause at tail.
The Dolly Show No. 115
Dolly joins the Pure Prairie League on the Everly Brothers hit "Bye Bye Love," singing a duet with bassist Mike Reilly. In an odd moment, Reilly sings that the reason he's blue is that "My lovin' Dolly is suing me," to which Dolly retorts "Won't never happen." At the end the cowboy catches up with the band and pleads his case as to why he should join them, but they just walk off stage.
The Dolly Show No. 115
Dolly thanks her guests, and we are treated to one final vignette with the cowboy before Dolly wraps the program by singing the standard closer "I Will Always Love You" as end credits roll.
Sports Racing Unser
View of Bobby Unser climbing into his "OLSONITE EAGLE" #8 racing car. His crew helps him into the cockpit. Camera zooms onto Bobby's helmeted face. Profile view of Bobby being strapped into the car by a crew member. Bobby gives a wave. Dark shot of car parts. View of Bobby driving off for a practice lap. View of car zipping along the track. Good CU of a stop watch. The button is pushed, the clock stops. View of electronic race board. The average speed reads 212.76.
The Dolly Show No. 116
Opening of The Dolly Show #116 with special guest Rod McKuen. To the strains of Dolly's record "Love Is Like A Butterfly" we fade up on plastic prop butterfly lit with pulsating pastel blue and violet lights. Camera pulls out to reveal butterfly as part of giant sparkly sign reading simply "Dolly." The sign rises into the rafters as lights come up on the set and Dolly Parton is lowered from the ceiling on a swing. To canned applause as voice-over announces her, Dolly steps off the red velvet swing in a flowing, sparkly pastel green dress and sings The Doobie Brothers hit "China Grove." Dolly is joined by "the poet of the road," Rod McKuen, who suggests that Dolly might want to try a different outfit for the travels they'll take together on the program. Dolly pops off stage for a second for a comically brief costume change, then she and McKuen duet on a reprise of "China Grove."
The Dolly Show No. 120
Tom T Hall asks to meet Jonathan Rebel, so Dolly introduces them. The dog puppet jokes that he has a case of "Crayola paw" from all the coloring he's done. Tom T. Hall tells the puppet the story of the real dog he was named after.
The Dolly Show No. 120
Tom T. Hall and Dolly talk about how some songs create a picture in your mind, like Tom's song "I Love," so the two of them sing it together.