Show open (features Clarence "Gatemouth" Brown and the Bluebeats magically appearing on stage in synch with show theme). Host Bill "Hoss" Allen introduces the show
Host Bill "Hoss" Allen & Louis Jordan and the Tympany Five (Chris Columbus, drums; Leo Blevins, guitar; Napoleon Fuller, tenor saxophone; Kenny Andrews, Hammond electric organ) perform "Caledonia." Real live Jump jive swing with Louis Jordan on lead vocal.
Bill "Hoss" Allen segues to commercial.
(DO NOT USE THIS SEGMENT) "Epitaph-- Richard Mason's Last Film." Produced by Samuel Holmes. Directed by Leon Pinkney & Samuel Holmes. Edited by Madeline Anderson.
(DO NOT USE THIS SEGMENT) "Epitaph-- Richard Mason's Last Film." Produced by Samuel Holmes. Directed by Leon Pinkney & Samuel Holmes. Edited by Madeline Anderson.
(DO NOT USE THIS SEGMENT) "Epitaph-- Richard Mason's Last Film." Produced by Samuel Holmes. Directed by Leon Pinkney & Samuel Holmes. Edited by Madeline Anderson.
(DO NOT USE THIS SEGMENT) "Epitaph-- Richard Mason's Last Film." Produced by Samuel Holmes. Directed by Leon Pinkney & Samuel Holmes. Edited by Madeline Anderson.
Ellis Haizlip interviews filmmaker Samuel Holmes. Mr. Haizlip, impressed w/ "Epitaph", thanks Mr. Holmes. Sam Holmes says he's from the West Side of Detroit originally, and that he's been making films for three years, starting with a group called the Coalition. Mr. Holmes discusses his film experience & training. Mr. Holmes says he sometimes kicks himself for returning to the United States after visiting Africa. Mr. Holmes says he has been working at the film workshop at the New Thing Art & Architecture Center in Washington, DC.
Ellis Haizlip continues to interview filmmaker Samuel Holmes. Mr. Holmes says there is a growing drug problem in Africa, but it is not to the degree of affliction as it is in the U.S. Sam Holmes says he receieved filmmaking assistance from Ossie Davis, Woody King, Cliff Frazier, Peggy Penn & others. Mr. Holmes offers tips to aspiring filmmakers. Ellis Haizlip thanks Samuel Holmes for appearing on the program, praises his film work. Mr. Haizlip closes program: "Dope is death."
Funky "Soul!" opening sequence w/ audio of King Curtis & Kingpins playing Soul! theme.
Poet Jackie Earley recites self-penned poem about the positivity of the black lifestyle, titled, "To Be A Woman." Bob Cunningham plays stand-up bass from off-screen. Recorded January, 1971. This can also be found on Master 2343.
Letta Mbulu performs "Quonqoza (Knock)." Afropop (Afro-pop) song. Recorded in March, 1971. Dig the astounding, hypnotic keyed graphics surrounding Letta Mbulu as she performs: test patterns, flashing colored light bulbs, B&W checkerboards, etc. Psychedelic, freaky freakout.
Soul! EP 305 (505) "New Birth, Inc" Featuring New Birth Inc. (Allen Frey, Londee Loren, Leslie Wilson, Melvin Wilson), The Niteliters (Nite-Liters featuring James Baker on trombone, Tony Churchill & Austin Lander on saxophones, Robin Russell on drums, Leroy Taylor on bass, Charles Heardnon on guitar, Robert Jackson on trumpet), and The Moonglows (Alexander Graves, Bobby Lester, Chuck Lewis, Dock Williams). Conducted by Harvey Fuqua.
Letta Mbulu & unidentified man perform "Lumumba." Sad, baleful contemporary African folk song. Recorded in March, 1971.
Poet Jackie Earley reads original poem about feeling-good blackness until coming face-to-face w/ copious amounts of white snow: "1968 Winters." Recorded in January, 1971. This can also be found on Master 2343.
The George Faison Universal Dance Experience perform artistic dance routine on soundstage made out to be an African plain. High art, dance. Begins w/ young woman in leopard skins, beige leotard, feline facial make-up dancing solo. Diss to three young woman in flowing robes & bone-shaped Afros dancing w/ slatted red platters on same soundstage. Diss back to solo dancer prancing on soundstage. Recorded in September, 1971.
The George Faison Universal Dance Experience continue to perform dance routine titled "The Gazelle" on soundstage made out to be an African plain. High art, dance. Three young men dressed as African warriors, holding "spears" aloft, run across soundstage, one stopping to listen to bird screech off-screen. Four young male warriors engage in choreographed dance with "spears" on soundstage over audio of contemporary jazz fusion; the warriors cringe & flee upon the din of the bird call, the solo dancing leopard woman leaping onto soundstage; the warriors return w/ a vengeance, cornering & encircling the leopard woman, ultimately "killing" her, carrying her off on "spears." Recorded in 1971.
The George Faison Universal Dance Experience continue to perform dance routine titled "The Gazelle" on soundstage made ot to be an African plain. High art, dance. Three young women in flowing robes dance on soundstage until warriors with fallen leopard woman enter fray, mourn her death. Recorded 1971.
"Soul!" Assistant Producer Anna Horsford reads original poem, "Rebirth." "I'm called sister & now you want to write poems about me. But what I want to understand about my new beauty is why is it not reflected in your eyes?" Anna Horsford then reads another poem about eating high on the hog b/c she deserves it, dammit: "Take my share of Soul Food?" Stand-up acoustic bass being plucked off-screen in typical Beat poet style. Poem titled "High on the Hog." This can also be found on Master 2343. Recorded in January, 1971.
MS two young jazz fans (white man w/ goatee, black woman w/ afro) wearing matching black turtleneck sweaters sitting in audience, applauding. Lee Morgan Quintet (Lee Morgan, trumpet; Jymie Merritt, bass; Harold Mabern, piano; Billy Harper, tenor saxophone, Freddie Waits, drums) perform "Angela" (dedicated to Angela Davis). Contemporary jazz influenced by mid-60s Trane. Recorded January, 1972. This can also be found on master 2344.
Lee Morgan Quintet (Lee Morgan, trumpet; Jymie Merritt, bass; Harold Mabern, piano; Billy Harper, tenor saxophone, Freddie Waits, drums) continue to perform "Angela" (dedicated to Angela Davis). Billy Harper & Lee Morgan solo, usually on top of each other. Contemporary jazz influenced by mid-60s Trane. Recorded January, 1972. This can also be found on master 2344.
DO NOT USE STILL PHOTOS. Poet Sonia Sanchez reads poem, "For James": "Your smell is always with me." Audio of stand-up bass being played wth bow by Bob Cunningham off-screen. Recorded January, 1971. This can also be found on master 2343.
The sensational Al Green & his band perform the R&B hit, "Let's Stay Together." Soul, Rhythm & Blues music. Recorded February, 1972. This can also be found on Master 2341.
Al Green and his band perform the R&B hit, "Tired of Being Alone." Soul, Rhythm & Blues music. Recorded February, 1972. This can also be found on Master 2341.