MSs old Caucasian man opening garage bay door for truck driver who jumps the gun & almost rams the cab into the gate. MCU floor hazards being removed or hammered deeper into floor. MS/CUs man's sleeve getting caught in conveyor. MS/CUs man's hand being crushed in machine. MSs men using machine to drive wedge. TLS old white man talking to white woman, both wearing hard hats; man is almost hit by trailer backing into garage. TLS/MSs man using crane to lower large roll of industrial paper. MSs man wearing brown leather coat & hard hat walking into office; he notices an open file drawer & closes it.
MS/CUs man welding, stopping to check generator, removing lid and getting shocked in the face. CU master fuse box being opened. MS/CUs white male running through safety checks on forklift. MS man getting crushed between forklift & load; TLS group of men lifting stretcher, walking off. MS man with banadaged foot hobbling along with aid of crutches. H/a TLSs of rock crusher; CU main power switch being turned off. MCU man placing red gasoline can into chemical cabinet. Illustrations of numerous pairs of eyes watching camera; diss to pair of human eyes wearing safety glasses.
MSs of Cherokee High School sign. Est shots of modern school building w/ American flag flying out front-- concrete bunker style, high fence & tennis courts make it look like a minimum security prison. MS moustachioed white male teacher sitting at desk with two female high school students; pan to a white female teacher helping a white male student. Quick CUs female Native American (American Indian) student in language lab with headphones. Cut to more MSs female teacher working one-on-one w/ male student wearing red & blue striped rugby shirt. MSs high school girls (teenagers) working in class; white male teacher helps out.
MS/MCUs white female teachers working with Native American high school students. MS/MCUs three American Indian teenage girls smiling & joking & working in classroom. H/a LSs modern high school, students playing in recess yard.
Introduction to Porter Wagoner Show #13. Via voice over, announcer T. Tommy Cutrer introduces sponsors over title cards illustrated with product artwork: Black-Draught laxative "that leaves you feeling fresh and clean inside," and Soltice Quick-Rub cold relief. Over title card, Cutrer introduces Porter Wagoner and the Wagonmasters, series regular Norma Jean, and their special guest star Jimmy C. Newman. Wagoner and Wagonmasters Jack Little and Benny Williams sing Black-Draught jingle. Cutrer introduces Wagoner, who plays guitar and sings "Fireball Mail" backed by The Wagonmasters. MS Benny Williams.
Wagoner introduces Grand Ole Opry regular Jimmy C. Newman. They joke about Newman's recent trip to Canada; Wagoner says Newman must've taken some Soltice with him and Newman replies that Soltice is "more gooder than good." Newman plays guitar and sings "Give Me Heaven" backed by The Wagonmasters.
TLSs of One Feather Trading Post building. TLS sign for Redskin Motel with drawing of chief. High angle shots of tourist trap area: Texaco gas station & store w/ teepees on roof, offering moccasins & leather for sale. TLSs tourist trap, sign for Cherokee Brave craft shop in FG. MS/TLS sign & building for The Cherokee Trader-- note that the sign features drawing of a scantily clan Caucasian woman dancing with war bonnet. MS sign for Straight Arrow Craft store, which sells cigarettes, Indian crafts & jewelry. Commercialization and tourist industry capitalizing on Indian culture.
TLSs high school classroom w/ Native American students at desks, teachers working with them. MSs young Caucasian woman monitoring American Indian girls as they work. MS American Indian woman working one-on-one with students.
Wagoner introduces T. Tommy, who pitches Black-Draught laxative. Cutrer extols Black-Draughts' virtues as the laxative that helps you "feel fresh and clean inside." Wagoner and Wagonmasters play Black-Draught jingle, with lively fiddle coda by Little Jack Little. Wagoner asks what the fiddle tune was called, Little laughs and says he doesn't know. Little humorously refers to a medley as a "melody."
MCUs Native American & Caucasian teenage girls working in classroom with aid of Caucasian & American Indian teachers. Great TLSs line of yellow school buses pulling from school, passing camera; many buses, a vertitable bus parade.
MS/CUs Native American woman teaching five Caucasian & American Indian kids of kindergarten-age; seems as though she's teaching rudimentary sign language. MS/MCUs children coloring with crayons. Great CUs kids listening to teacher-- expressions of awe bordering on confusion. MS/CUs Caucasian & American Indian female teachers working with kindergarten kids in classroom; the kids take their seats.
Ship Prepares to Leave Port. Shot of crowd waving farewell to ship. Shot from dock of people waving from ship. Supplies are loaded aboard. Shots of the ship and people waving from dock.
Wagoner says he wishes they had color TV for the pretty outfit that Norma Jean is wearing. Jean plays guitar and sings "Til These Dreams Come True" accompanied by The Wagonmasters. CU steel guitar.
T. Tommy sits in on drums for great version of (then-current) 1962 hit "Misery Loves Company," on which Wagoner sings and plays guitar accompanied by The Wagonmasters. Nice MS of Speck, Don, and T. Tommy.
Wagoner introduces Black-Draught commercial. Cartoon man walking along river experiences gastric distress, as represented by discolored blob in abdomen and sound of bassoon. Man sees words "Black-Draught" in water, jumps aboard as words act as motorboat representing relief. "A halfway laxative does a halfway job," the voice over informs us, further extolling virtues of product and describing the many forms product takes (powder, syrup, tablet). At end of commercial, man holds bouquet of flowers and jingle sings how Black-Draught helps you "feel fresh and clean inside." Wagoner returns and pitches product again.
Wagoner introduces banjo-pickin' time and brings in Benny Williams, who talks about how nervous he was playing in a Grand Ole Opry show at Carnegie Hall. Wagoner asks him: "Did you want to say yippie?" "Yes I did" is Williams' reply. Williams solos on the instrumental "Grandfather's Clock" accompanied by The Wagonmasters. CUs of finger picking as the banjo imitates the ticking of a clock.
Gap-toothed, checkered-suit wearing Speck Rhodes enters and tells vaguely ribald joke about a mustachioed visitor kissing Lottie from Skunk Hollar. Rhodes says he kissed her himself. "Was it against her will?" Wagoner asks. "No, it was against the icebox." More corny old-timey jokes. Rhodes sneaks in Soltice plus before singing "When It's Long Handle Time In Tennessee," a song about long underwear, accompanied by The Wagonmasters.
Wagoner and Cutrer banter about Soltice. Wagoner reads awful limerick about T. Tommy rubbing Soltice on his chest. "It's the modern greaseless rub that's nice to use." Wagoner squeezes in one more pitch at end of Cutrer's spiel.
Wagoner introduces the day's sacred song "The Family Bible," on which he sings and plays guitar accompanied by The Wagonmasters. Sound quality shifts markedly halfway through the song.
Wagoner reintroduces Jimmy C. Newman who plays guitar and sings his cajun-inspired song "Alligator Man" backed by The Wagonmasters with Cutrer guesting on drums. CU Jack Little. Unidentified voice shouts "ungawa!" from offscreen.
Wagoner and Wagonmasters wrap show with a Soltice jingle and plugs for Black-Draught, Soltice, and Cardui tablets for women. "All modern girls know, to stay on the go, Cardui tablets are great!"
Introduction to Porter Wagoner Show #14. Via voice over, announcer T. Tommy Cutrer introduces sponsors over title cards illustrated with product artwork: Black-Draught laxative "that leaves you feeling fresh and clean inside," and Soltice Quick-Rub cold relief. Over title card, Cutrer introduces Porter Wagoner and the Wagonmasters, series regular Norma Jean, and their special guest star Carl Smith. Wagoner and Wagonmasters Don Warden and Benny Williams sing Black-Draught jingle. Cutrer introduces Wagoner who plays guitar and sings "John Henry" backed by Wagonmasters. MS Benny Williams.
Wagoner welcomes audience and introduces Carl Smith, who makes a few wisecracks, then plays guitar and sings his 1952 hit "(When You Feel Like You're In Love) Don't Just Stand There" backed by The Wagonmasters. MS Benny Williams guitar solo. More good-natured horsing around after song.
Wagoner hands it back over to T, who pitches Black-Draught laxative as a great remedy for irregularity saying it makes you feel "fresh and clean inside." Wagoner and Wagonmasters play Black-Draught jingle, with lively extended fiddle coda by Jack Little.